Sabine Ehrenfeld was born and raised in Mannheim, Germany, on November 27, 1963. Her father was an investment banker with the Deutsche Bank, and her mother, a nurse, became a homemaker, and raised Sabine and her two younger sisters. Sabine started modeling in Germany at 18, and moved to Milan, Italy, in 1983. In 1985 she lived in New York for a year, where she worked for Elite Models and started to do commercials. She has been living in Los Angeles since 1985. Sabine has done a lot of training for acting, including voice, speech and dialect, hosting, and comedy improv training. From 1992 until 2003 she decided to do commercial work exclusively in order to be mostly a mom. She is presently gearing up to pursue TV work as an actress as well as a show host. Sabine has appeared in hundreds of TV commercial s over the last twenty years, and has also done some work in television and movies. Over the last three years she has appeared as the spokeswoman for Overstock.com. Sabine is divorced from the father of her two children. She speaks fluent German and English, and conversational French and Italian. She currently has a website under construction - information to follow.
Known as "the girl from the Overstock.com commercials"Has a pilot's license with 350 flight hours and flew solo from California to Montana in a Decathlon, which is a fabric covered tail wheel plane designed for aerobatic flight.She is proficient in the use of handguns.She's German, and besides her native language can speak Italian, French and of course, English.Interested in: running, Yoga, rock climbing, mountain biking, martial arts, horseback riding (English Dressage & Jumping), skiing, snowboarding, swimming, rollerblading.
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Cruel But Necessary is the story of Betty Munson's strange journey of self-discovery and soul-awakening in the traumatic years following the revelation, on videotape, of her husband's infidelity. Her marriage over, struggling to raise her teen-age son alone, Betty becomes driven to discover other secrets that may surround her and so she videotapes every aspect of her life during the gradual disintegration of her comfortable upper middle-class existence. Sometimes used as an eavesdropping device, other times as a confessional, Betty's camera dispassionately records the layers of family and personal dynamics. The film is seen entirely from the viewpoint of Betty's video camera resulting in a "surveillance tape" that is a kind of voyeurism of the absurd.